What you
actually get.

A short vertical video for social. Tall, not wide, because that is how a phone is held. Usually one idea: a job going in, a product close up, one of your people explaining one thing.

Comes captioned, because most people watch with the sound off, and delivered ready to post rather than as something you have to crop yourself.

The one video that explains who you are and why someone should pick you. It goes at the top of your website, in front of a hiring ad, on the screen in your lobby, and in any pitch where you get two minutes to make an impression.

This is the piece everything else gets cut from, which is why it is worth doing properly once rather than cheaply three times.

The same film, shortened for a different place. A 90-second brand film becomes a 30-second pre-roll ad, a 15-second social post and a 6-second bumper. Same footage, no second shoot, small extra cost.

You are not paying for the same video twice. You are paying for the versions that actually fit where you are putting it.

Actual photographs, shot alongside the video on the same day, then colour corrected and delivered at full size and cropped for social. Not frames grabbed out of the video, which look soft and always give themselves away.

Yours to use anywhere: website, ads, print, job boards, the side of a truck.

One day, up to eight hours, on your site. I turn up with everything, work around your crew, and shoot the video and the photos in the same visit. A month of content usually comes out of one of these.

I do not book half days. The drive, the setup and the packing down are the same whether I shoot for four hours or eight, so a half day costs me a full day and gets you half the material.

One of your customers on camera saying the thing you cannot say about yourself without sounding like an advert. I ask the questions, so they are having a conversation rather than reciting a script at a lens.

All you have to do is tell me who to call. I handle the rest of it.

Your actual crew doing the actual work, made for people deciding whether to come and work for you. It runs on your careers page, in job ads, and on the sites where trades people actually look.

Shots from the air. Worth it for anything you cannot see properly from the ground: a roof, a golf course, acreage, a build at three stages of progress. Not worth it for a shop interior, and I will tell you when it is not.

The text and graphics that move. A name and job title sliding in under someone speaking is a lower third. Your logo animating at the end is an outro. Prices on screen, arrows pointing at things, and captions all live here too.

Built to match your brand, so it looks like you rather than like a template.

Three cameras running at once so the edit can cut between whoever is talking, proper microphones on everybody, and the whole thing cut together into one episode you can upload.

The vertical clips come out of the same recording. One afternoon of talking turns into an episode plus a month of short videos, which is most of why a show is worth doing.

Changes to a site after it is built are not part of the build. Most people go a long time without needing any. If you would rather have them handled as they come up than quoted one at a time, I keep the site current for a flat monthly fee.

A short note at the end of each month: what went out, what people actually watched, and what I want to shoot more of next time because of it. Not a dashboard you have to learn to read. A few lines you can act on.